Early morning just before the sun broke the horizon along the Carmel coast.  Oil on linen wrapped on 1.5 inch deep stretchers with painted sides.

Last light catching the top of the mountain range.  Moments like this last just seconds, but can burn into your memory for a lifetime.  Oil on linen on a 1.5 inch deep canvas with clean painted edges.

Early morning in one of California's most beautiful spots.  Paint on location.  Oil on linen mounted on gatorboard.

Glowing vibrant skies have been the subject I'm most drawn to in this body of work.  This piece continues my exploration of this subject, juxtaposing purple clouds against an orange sky.  I integrated water into the foreground largely so that I could reflect the sun and balance out the composition.  Done from memory, this piece was completed over a number of painting sessions as the image slowly emerged from the canvas.

This imagined landscape is a channeling of years of different painting experiences.  Of late I've been starting paintings with only vague mental images of where I want to go.  Much as authors describe how characters they've created later take over and write the story themselves, these paintings take on a life of their as they develop.

As I continue to explore deconstructing light and the landscape, I continue to find greater and greater possibilities in the liberties I can take while still capturing that inner luminosity that is always so elusive.  This piece is a fine example of an abstract exploration can still glow with inner light.

This is oil on stretched linen.  It's on gallery wrapped 1.5 inch deep stretchers, and looks great hung unframed (as-is).  This can also be framed.

This house has the most amazing garden.  Two years ago I passed this spot and made a mental note to return to paint the scene.  I tried to get back that year, but I was too late.  The blooming season is relatively short, and when I passed this spot this year I immediately went back to my studio, grabbed my gear and returned to paint knowing just how hard it is to get the timing right.

I picked this unusual long format (8x20 inches) to get the feel of the long narrow garden along the side of the properly.  This gives the piece a very unique quality.

This is oil on linen mounted on board (gatorboard).  I'm making it avaialble unframed.

I painted this lovely little piece on a quite day after a big storm.  The ocean was calm, and the glare off the waves caught my attention.

This is oil on linen mounted on board (gatorboard).  It is being made available unframed.

This is the largest piece I've done completely plein air (outdoors) to date (24x30 inches).  I love how it turned out.

I had a number of consecutive days available with fantastic weather projections, so I took it upon myself to try to work a large piece.

I have a blog entry describing the creation of this piece, which you can find here: http://timonsloane.com/blog/painting-large-format-plein-air-outdoors

This is oil on cradled masonite board (half-inch deep cradle).  I can be hung as-is, or framed if you prefer.  It is currently priced as available unframed.  An image of it framed is included for reference.  The framed price is $3200.

Various sized custom reproductions of this piece can be ordered here:  http://fineartamerica.com/featured/warm-winter-timon-sloane.html

I hiked down some cliffs and some distance to capture this view along the coast.  My hike out was reflected by the other intrepid sole who came out as far, and I had the pleasure of working him into the composition.

This is oil on board (gatorboard), and is being made available unframed.  Call to discuss framing options.